Easy Worship 2009 Better -
That was Easy Worship 2009. It wasn’t glamorous. It wasn’t the most powerful. But for a brief, beautiful moment, it made worship technology feel less like a barrier and more like a tool—one that any church, no matter how small or tech-averse, could use to help their congregation sing along. Today, we take for granted that lyrics appear on screens automatically, that backgrounds shift seamlessly, and that sermon points transition with a tap of an iPad. But the foundation for that experience was laid in 2009 by a piece of software that dared to ask: What if running a church presentation was easy?
For many small-to-medium churches, the sound booth was a labyrinth of cables, a VGA switch, and a prayer. Enter Easy Worship 2009—a software that promised to turn that chaos into a single-screen, intuitive interface that even a bass player could learn to run. The 2009 version wasn’t just an incremental update; it was a philosophy shift. The developers at Softouch (now known as EasyWorship) had been listening to frustrated church volunteers. The result was a suite of features that felt almost futuristic at the time: 1. The "Schedule" Panel Previous versions required building a service on the fly. Easy Worship 2009 introduced a drag-and-drop schedule sidebar. You could pre-build an entire Sunday service: four praise songs, a special music video, sermon notes, a baptismal loop, and a closing hymn. Each item could be clicked and sent to the screen instantly. For the first time, worship leaders could design a flow before Sunday morning, and the operator simply followed the list. 2. Live Lyrics with Real-Time Editing The killer feature was the ability to edit text while it was on screen . Imagine: the worship leader ad-libs a repeat of the chorus. In 2008, you’d need to duplicate slides or click back. In Easy Worship 2009, the operator could select the current slide, hit "Duplicate," and type a new line—all without the congregation seeing the behind-the-scenes scramble. This single feature saved countless awkward silences. 3. Built-in Media Support Version 2009 aggressively supported almost every video and audio codec of the era: MPEG, WMV, AVI, MP3, and even some early H.264 files. It also introduced a background playlist feature, allowing moving backgrounds (clouds, crosses, abstract water ripples) to play behind lyrics without needing a second computer. For churches with a single projector, this was revolutionary. 4. The CCLI Integration Copyright compliance had always been a headache. Easy Worship 2009 included a direct link to CCLI (Christian Copyright Licensing International) song numbers. You could type “Hillsong United – Mighty to Save,” and the software would auto-import the lyrics, complete with correct line breaks, chorus repeats, and the mandatory copyright footer. No more typing errors or missing credit lines. The User Experience: A Volunteer’s Dream The interface of Easy Worship 2009 was deliberately uncluttered. A top menu bar, a large preview window (what the congregation sees), a smaller “live” output, and the schedule. The color scheme was muted gray and blue—not flashy, but functional. Buttons were chunky and labeled plainly: Go Live , Next , Clear , Background . easy worship 2009
In the history of church technology, few moments are as pivotal as the arrival of Easy Worship 2009 . To understand its impact, one must first rewind to the late 2000s—a period when digital projection in churches was still a messy, fragmented, and often intimidating frontier. Congregations were moving away from overhead transparencies and bulky hymn boards, but the software solutions available at the time (primarily EasyWorship’s main rival, SongShow Plus, or the clunky PowerPoint workarounds) required significant technical know-how, expensive hardware, and a dedicated volunteer willing to wrestle with codecs and crash logs. That was Easy Worship 2009