Rina Ellis Interview · Working

Her latest single, "Internet Crush (Delete Later)" is a masterclass in this tension. The chorus is sticky and sweet, but the bridge descends into glitched-out screaming. It’s about the horror of modern dating—swiping, matching, ghosting.

If you’ve been scrolling through TikTok or digging through Spotify’s Hyperpop playlists recently, you’ve likely stumbled into the glitter-covered, emotionally charged world of Rina Ellis . She’s the voice for the overstimulated, the under-loved, and the digitally native. I had the chance to sit down with her last week ahead of her upcoming EP, "LUCID LOSS," and what transpired was a conversation about vulnerability, viral fame, and why she refuses to be put in a box.

Rina Ellis has been labeled hyperpop , glitchcore , and even digicore . When I ask which label fits, she winces. rina ellis interview

"LUCID LOSS" drops October 27th. If the singles are any indication, Rina Ellis isn't just an interview subject. She’s the future of what pop music sounds like when it finally stops caring about the rules.

One of the first things you notice about Rina is the dichotomy. On stage, she wears cracked digital goggles and safety-pinned corsets—a cyberpunk pixie screaming into the void. In person, curled up in a booth with a matcha latte, she’s soft-spoken and thoughtful. Her latest single, "Internet Crush (Delete Later)" is

That track, a hazy blend of 808s and whispered confessions, became the blueprint for her sound. But unlike many viral sensations, Rina isn’t chasing the algorithm. She’s chasing a feeling.

You can catch Rina Ellis on her "Bedroom to Basement" tour this fall, where she promises "intimate chaos"—small venues, no backing tracks, and a lot of sweat. If you’ve been scrolling through TikTok or digging

“Rina is a character, sure,” she explains, tracing the rim of her cup. “But she’s also the parts of me I’m too scared to say in public. The anger, the lust, the pettiness. I put a distortion pedal on my voice so I can finally say, ‘Yes, you did hurt me, and I’m not okay with it.’”