Is it for everyone? No. The Horned God guards the gate. But for the witch who has felt that the traditional Tarot speaks about them rather than to them, The Witches Tarot offers a homecoming.
Ellen Cannon Reed succeeded in what she set out to do: she built a bridge between the Qabalistic Tarot and the Circle of the Wiccan. When you lay a spread with these cards, you aren't just divining the future; you are mapping the sacred landscape of a witch’s soul. the witches tarot ellen cannon reed
The palette favors deep purples, forest greens, midnight blues, and candle-flame oranges. It feels like a grimoire you found locked in a trunk, not a mass-market product. If you strip away the pentacles and athames, is this just a standard Tarot? No. Reed made three radical departures: Is it for everyone
(originally published in 1996 by Llewellyn), created by the late Ellen Cannon Reed and illustrated by Martin Cannon, is precisely that deck. For nearly three decades, it has remained a quiet cornerstone for solitary Wiccans, eclectic witches, and Tarot readers who feel the pull of the Old Ways. But is it a great Tarot deck, or simply a great spellbook in disguise? The High Priestess Behind the Cards To understand the deck, you must understand the creator. Ellen Cannon Reed (1943–2003) was no mere card enthusiast. A respected High Priestess of the Isian tradition, a prolific writer for Circle Network News , and the author of The Witches’ Qabala , Reed lived and breathed ceremonial magic filtered through a Neopagan lens. But for the witch who has felt that